Aktualnosci roku 1962

31 gru Narodziny Heather Louise See
31 gru Beatlesi grają swój ostatni koncert w Star-Club w Hamburgu
18 gru Beatlesi rozpoczynają serię koncertów w hamburskim Star-Club
9 gru George Martin obserwuje koncert Beatlesów w The Cavern
9 gru Cavern Rehearsal Tape
26 lis BBC: The Talent Spot
26 lis Nagrywanie drugiego singla dla Parlophone - Ask Me Why
26 lis Nagrywanie "Please Please Me" na drugiego singla
29 paĽ TV: People and Places MANCHESTER, ENGLAND
27 paĽ Pierwszy radiowy wywiad Beatlesów.
17 paĽ People and Places
5 paĽ Ukazał się pierwszy singiel Beatlesów Love Me Do
17 wrz Ukazuje się singiel Arthura Alexandra "Anna (Go To Him)"
11 wrz Love Me Do single session 2 - P.S. I Love You
4 wrz Pierwsze zdjęcia Dezo Hoffmana dla Beatlesów
4 wrz Love Me Do single session 1 - How Do You Do It?
23 sie Ślub Johna Lennona i Cynthi Powell
22 sie Młodzi The Beatles w Granada TV
19 sie Pierwszy koncert w Cavern z Ringo Starrem
18 sie The Beatles grają pierwszy koncert w ostatecznym składzie.
16 sie Pete Best zostaje wyrzucony z The Beatles
11 cze Here We Go (2 of 5) nagrywanie w Playhouse Theatre (Manchester)
9 cze Koncert w The Cavern - pierwszy po powrocie z Hamburga.
6 cze Beatlesi po raz pierwszy wchodzą do studia nagraniowego na Abbey Road.
4 cze Zagadkowa data na kontrakcie wytwórni EMI z zespołem The Beatles.
24 maj Tony Sheridan Session 2
9 maj Drugie spotkanie Briana Epsteina z George'em Martinem.
10 kwi Umiera Stuart Sutcliffe
7 kwi Występ The Beatles w Casbah Coffee i Cavern Club
7 mar Pierwszy radiowy występ Beatlesów: Teenager's Turn - Here We Go
12 lut Beatlesi jadą do Manchesteru na przesłuchanie do radia.
2 lut Odbywa się pierwszy profesjonalny koncert Beatlesów poza Liverpoolem
24 sty Brian Epstein oficjalnie zostaje managerem Beatlesów
22 sty Koncert w Kingsway Club, Southport
5 sty W Anglii ukazuje się singiel My Bonnie
4 sty Beatlesi na okładce Mersey Beat
1 sty Sesja nagraniowa dla Decca Records
Plyty wydane w lutym:

2 Off The Ground (LP - 1993)
4 Maybe I'm Amazed/ Soily (S - 1977)
6 Instant Karma! / Who Has Seen The Wind? (S - 1970)
6 This Guitar (Can't Keep From Crying) / Maya Love (S - 1976)
6 Yes, Im Witch (LP - 2007)
6 Kisses On The Bottom (LP - 2012)
7 All My Loving (EP - 1964)
8 You're Sixteen / Devil Woman (S - 1974)
11 True Love / Pure Smokey (S - 1977)
15 Jet / Let Me Roll It (S - 1974)
16 George Harrison (LP - 1979)
16 Blow Away / Soft Touch (S - 1979)
17 Penny Lane / Strawberry Fields Forever (S - 1967)
19 Another Day / Oh Woman Oh Why (S - 1971)
21 Rock And Roll (LP - 1975)
21 Snookeroo / Oo-wee (S - 1975)
22 C'Mon People / I Can't Imagine (S - 1993)
24 Live In New York City (LP - 1986)
25 Give Ireland Back To The Irish (S - 1972)
26 Ecce Cor Meum (DVD - 2008)
28 Cry For A Shadow / Why (S - 1964)
28 Dark Horse / Hari's On Tour (Express) (S - 1975)
Klasyka rocka wydana w lutym:

1 Runaway (Del Shannon) (S - 1961)
1 Tragedy (Bee Gees) (S - 1979)
3 Difficult To Cure (Rainbow) (LP - 1981)
8 Jealous Guy / To Turn You On (Roxy Music) (S - 1981)
10 Van Halen (Van Halen) (LP - 1978)
12 Moving Pictures (Rush) (LP - 1981)
18 Five Miles Out (Mike Oldfield) (S - 1982)
22 These Boots Are Made for Walking (Nancy Sinatra) (S - 1966)
23 Cum On Feel The Noize (Slade) (S - 1973)
26 The Last Time / Play with Fire (Rolling Stones) (S - 1965)
28 Yesterdays (Yes) (LP - 1975)


Pierwszy radiowy wywiad Beatlesów.

1962-10-27,  autor: joryk  
[...powrót do newsów]

Pierwszy "radiowy" wywiad Beatlesów zostanie wyemitowany ponownie - pierwszy raz od 40 lat - przez rozgłośnię Wirral. Zamiast radia był raczej radiowęzeł, gdyż wywiad był emitowany przez radiowęzeł szpitala Cleaver and Clatterbridge w Wirral.
Sam wywiad można znaleźć na bootlegu "300.000 Fans Can't Be Wrong", gdzie wywiad jest zamieszczony w całości i gdzie można usłyszeć, jak Paul mówi, że "...faktycznie liderem zespołu jest John".

MONTY: It's a very great pleasure for us this evening to say hello to an up-and-coming Merseyside group, The Beatles. I know their names, and I'm going to try and put faces to them. Now, you're John Lennon, aren't you?"

JOHN: "Yes, that's right." |

MONTY: "What do you do in the group, John?"

JOHN: "I play harmonica, rhythm guitar, and vocal. That's what they call it."

MONTY: "Then, there's Paul McCartney. That's you?"

PAUL: "Yeah, that's me. Yeah."

MONTY: "And what do you do?"

PAUL: "Play bass guitar and uhh, sing? ...I think! That's what they say."

MONTY: "That's quite apart from being vocal?"

PAUL: "Well... yes, yes."

MONTY: "Then there's George Harrison."

GEORGE: "How d'you do."

MONTY: "How d'you do. What's your job?"

GEORGE: "Uhh, lead guitar and sort of singing."

MONTY: "By playing lead guitar does that mean that you're sort of leader of the group or are you...?"

GEORGE: "No, no. Just... Well you see, the other guitar is the rhythm. Ching, ching, ching, you see."

PAUL: "He's solo guitar, you see. John is in fact the leader of the group."

MONTY: "And over in the background, here, and also in the background of the group making alot of noise is Ringo Starr."

RINGO: "Hello."

MONTY: "You're new to the group, aren't you Ringo?"

RINGO: "Yes, umm, nine weeks now."

MONTY: "Were you in on the act when the recording was made of 'Love Me Do'?"

RINGO: "Yes, I'm on the record. I'm on the disc."

(the group giggles)

RINGO: (comic voice) "It's down on record, you know?"

MONTY: "Now, umm..."

RINGO: "I'm the drummer!"


MONTY: "What's that offensive weapon you've got there? Those are your drumsticks?"

RINGO: "Well, it's umm... just a pair of sticks I found. I just bought 'em, you know, 'cuz we're going away."

MONTY: "When you say you're going away, that leads us on to another question now. Where are you going?"

RINGO: "Germany. Hamburg. For two weeks."

MONTY: "You have standing and great engagements over there, haven't you?"

RINGO: "Well, the boys have been there quite alot, you know. And I've been there with other groups, but this is the first time I've been there with the Beatles."

MONTY: "Paul, tell us. How do you get in on the act in Germany?"

PAUL: "Well, it was all through an old agent."


PAUL: (chuckles) "We first went there for a fella who used to manage us, and Mr. Allan Williams of the Jacaranda Club in Liverpool. And he found the engagements so we sort of went there, and then went under our own..."

JOHN: "Steam."

PAUL: "Steam... (laughs)

JOHN: "...as they say."

PAUL: "As they say, afterwards, you know. And we've just been going backwards and forwards and backwards and forwards."

MONTY: (surprised) "You're not busy at all?"

PAUL: "Well yes, actually. Yes. It's been left-leg in all the war."


MONTY: "George, were you brought up in Liverpool?"

GEORGE: "Yes. So far, yes."

MONTY: "Whereabouts?"

GEORGE: "Well, born in Wavertree, and bred in Wavertree and Speke-- where the airplanes are, you know."

MONTY: "Are you all 'Liverpool types,' then?"

RINGO: "Yes."

JOHN: "Uhh... types, yes."

PAUL: "Oh yeah."

RINGO: "Liverpool-typed Paul, there."

MONTY: "Now, I'm told that you were actually in the same form as young Ron Wycherley..."

RINGO: "Ronald. Yes."

MONTY: "...now Billy Fury."

RINGO: "In Saint Sylus."

MONTY: "In which?"

RINGO: "Saint Sylus."

JOHN: "Really?"

RINGO: "It wasn't Dingle Bay like you said in the Musical Express."

PAUL: "No, that was wrong. Saint Sylus school."

MONTY: "Now I'd like to introduce a young disc jockey. His name is Malcolm Threadgill, he's 16-years old, and I'm sure he'd like to ask some questions from the teenage point of view."

MALCOLM: "I understand you've made other recordings before on a German label."

PAUL: "Yeah."

MALCOLM: "What ones were they?"

PAUL: "Well, we didn't make... First of all we made a recording with a fella called Tony Sheridan. We were working in a club called 'The Top Ten Club' in Hamburg. And we made a recording with him called, 'My Bonnie,' which got to number five in the German Hit Parade."

JOHN: "Ach tung!"

PAUL: (giggles) "But it didn't do a thing over here, you know. It wasn't a very good record, but the Germans must've liked it a bit. And we did an instrumental which was released in France on an EP of Tony Sheridan's, which George and John wrote themselves. That wasn't released here. It got one copy. That's all, you know. It didn't do anything."

MALCOLM: "You composed 'P.S. I Love You' and 'Love Me Do' yourself, didn't you? Who does the composing between you?"

PAUL: "Well, it's John and I. We write the songs between us. It's, you know... We've sort of signed contracts and things to say, that now if we..."

JOHN: "It's equal shares."

PAUL: "Yeah, equal shares and royalties and things, so that really we just both write most of the stuff. George did write this instrumental, as we say. But mainly it's John and I. We've written over about a hundred songs but we don't use half of them, you know. We just happened to sort of rearrange 'Love Me Do' and played it to the recording people, and 'P.S. I Love You,' and uhh, they seemed to quite like it. So that's what we recorded."

MALCOLM: "Is there anymore of your own compositions you intend to record?"

JOHN: "Well, we did record another song of our own when we were down there, but it wasn't finished enough. So, you know, we'll take it back next time and see how they like it then."

(long pause)

JOHN: (jokingly) "Well... that's all from MY end!"


MONTY: "I would like to just ask you-- and we're recording this at Hume Hall, Port Sunlight-- Did any of you come over to this side before you became famous, as it were? Do you know this district?"

PAUL: "Well, we played here, uhh... I don't know what you mean by famous, you know.


PAUL: "If being famous is being in the Hit Parade, we've been over here-- we were here about two months ago. Been here twice, haven't we?"

JOHN: "I've got relations here. Rockferry."

MONTY: "Have you?"

JOHN: "Yes. Oh, all sides of the water, you know."

PAUL: "Yeah, I've got a relation in Clorton Village-- Upton Road."

RINGO: (jokingly) "I've got a friend in Birkenhead!"


MONTY: "I wish I had."

GEORGE: (jokingly) "I know a man in Chester!"


MONTY: "Now, that's a very dangerous thing to say. There's a mental home there, mate. Peter Smethurst is here as well, and he looks like he is bursting with a question."

PETER: "There is just one question I'd like to ask. I'm sure it's the question everyone's asking. I'd like your impressions on your first appearence on television."

PAUL: "Well, strangely enough, we thought we were gonna be dead nervous. And everyone said, 'You suddenly, when you see the cameras, you realize that there are two million people watching,' because there were two million watching that 'People And Places' that we did... we heard afterwards. But, strangely enough, it didn't come to us. We didn't think at all about that. And it was much easier doing the television than it was doing the (live musical performance) radio. It's still nerve-wracking, but it was a bit easier than doing radio because there was a full audience for the radio broadcast."

MONTY: "Do you find it nerve-wracking doing this now?"


PAUL: (jokingly) "Yeah, yeah."

MONTY: "Over at Cleaver Hospital, a certain record on Parlophone-- the top side has been requested. So perhaps the Beatles themselves would like to tell them what it's going to be."

PAUL: "Yeah. Well, I think it's gonna be 'Love Me Do.'"

JOHN: "Parlophone R4949."


PAUL: "'Love Me Do.'"

MONTY: "And I'm sure, for them, the answer is P.S. I love you!"

PAUL: "Yeah."

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